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"That very position astrologically in the stars of the heavens was the turning point diametrically for the moment of the conception of individuality in the Cosmic Christ, through the teachings of the Divine Mother, as they were brought forth in that hour through the Three Wise Men who, under the leadership of El Morya, sponsored the prophet of the decades, your own beloved Lanello, to give those teachings of the Great White Brotherhood that would enable the youth of this nation and the world to bring forth their own individuality in Christ. "But the false prophets appeared. And by the intense sound and perverted rhythm of their energies, they involved decades now of youth in the culture that comes out of the pit—the rock music, the drugs, and the ensuing rebellion that has channeled forth the entire rebellion of the fallen ones who are seated comfortably in the lower levels, the uttermost levels of the astral plane. "Beloved ones, the hour of the perversion of the conception of Liberty and Liberty’s sons has brought about a great darkness and a fragmentation of the mystical body of light. Peace, then, is for the healing process and for the reintegration, as each individual soul of light brings himself once again to the opportunity of the divine encounter through the spirit of the living prophecy whereby, from his own Mighty I AM Presence, there descends the confirmation of our Word, of our light, and of that forcefield of the Christed ones. "Therefore we appear, Peace and Aloha, storing the light of far-off worlds, ancient Lemuria and pre-Lemurian life on this and other octaves and planetary homes. We come specifically for the demagnetization, by our flame of peace, of the momentums of jagged rhythm and of the defiance of the defiant ones who have blended their lifestreams with those who are the living dead. "Dear hearts of light and living fire, this
is the age when God, in the divine plan of the Great Divine Director,
has purposed to dedicate the holy family, especially in the Americas.
And you know the |
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"Beloved ones, it is mentioned in the Book of Revelation. It is mentioned in chapter nine. It is mentioned with the sounding forth of the fifth angel and the star that descends from heaven having the keys to the bottomless pit. Again, according to cosmic cycles, according to karmic cycles as well, that pit was opened that the earth might receive the product of its lowered consciousness. "And out from that
pit have come forth in this century individuals who have spawned
the entire "Beloved hearts, this triad of misuse of the base chakra must be seen by you as the outplaying of fallen angels. Thanks to your presence and that of the Great White Brotherhood, there has been a rallying of parents' groups against drugs, but no one is seriously tackling the engines of rock music or those stars that have fallen, leading the children of Light astray and wreaking havoc with their chakras. And also there is not sufficient challenging, in terms of decree work, of the misuse of the base chakra by these fallen ones. They are about to bring forth, as you have been told, the same sort of miscreation that they brought forth on Atlantis. And the Law will not allow it! " . . . The drugs and the rock music and
the misuse of the sacred fire carry, then, the young people to
that astral awareness. And thus, out of the bowels of the pit
itself does come forth the direction of these fallen ones and
their demons, for a like vibration produces a like receptivity.
Thus, you might say that these fallen ones pervert the very Spirit
of the Great Central Sun in that pit, and they look to the youth
of the world as the passive receivers of their darkness and their
malintent—which is not perceived
by the youth. " . . . Beloved hearts, realize, then, that this action for the cleaning out of the pit is the decree of the Four and Twenty Elders and the Cosmic Council and of Almighty God that the lightbearers in embodiment should no longer be burdened by the permeation of the malice and the hate and hate creation of those who are seething in the pit. Thus, we have said, "The serpents are hissing in their pits." "Beloved hearts, the pit is referred
to in the Bible as one place, but in fact it has focuses around
the world. And thus, in places of extreme darkness you will note
that there is a proximity to the opening into the very depths
of hell—such as Guyana, such as certain other places in
South America and in the Middle East and in Asia and in the Caribbean.
Beloved hearts, wherever you notice a concentration of great darkness
and voodoo and bloodletting, such as in certain places of Africa,
you will note that there is the necessity to go forth with us,
fully armored in the victory of the God flame and in the challenge
and the binding of these fallen ones." |
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Now I’d like to show you the first group, which is called Slayer. And if you thought Metallica was bad, this is worse. The name of the album here is Show No Mercy. On the cover you have the logo for Slayer, which is the inverted pentagram made up of swords with one sword missing. And who’s holding the missing sword but the Goat of Mendes. The five-pointed star is the symbol of Christ—of
you becoming the Christ. That’s why we have the five-pointed
star on our flag. America is a nation sponsored by Saint Germain
where all people can pursue a path of personal Christhood with
Jesus. So the inverted five-pointed star is the symbol for taking
the figure of your Christhood and turning it upside down. This
is the equivalent of placing the head of Jesus Christ at the base-of-the-spine
chakra and perverting the light/energy/consciousness of the Children
of Light into sexual orgies. Again, Satanism thrives on orgies
because its rites are always aimed at raping the light of the
chakras and the electromagnetic field of the body and the aura.
I am the Antichrist Watching deciples Screams, I am the Antichrist So, now we’ll see a videoclip of that
song. [Videoclip of “The Antichrist” by Slayer played.
At its conclusion Tom Araya (Slayer lead singer) says: “As
I’m sure you’re aware, we have a new album that’s
out, which I understand seems to be picked up by quite a few of
you. I have one question If you didn’t see it, you wouldn’t believe it. As you probably noticed, most of the members of the group were wearing upside-down crosses. It’s the same principle as the inverted pentagram. Wearing Christ upside down. Inverting the crucifix when they perform a black mass—actually putting Christ’s head at the level of the genital area—that’s the meaning of the upside-down cross or crucifix. That’s how vile Satanism is. I’m sure most people don’t realize that. I wanted everyone to take note of the head movements of the band members. This is a new thing with kids. It’s called “headbanging.” In fact, this is the throwing off of the energy of the spinal cord and the medulla oblongata through the centrifugal force of the head motion. We wonder why this is done and why it’s been popularized. According to LaVey, who wrote the Satanic Bible, all satanic rituals need the energy of the life-force behind them. Now, LaVey also says in the Satanic Bible that he discourages animal sacrifice and human sacrifice. Well, I wouldn’t expect him to write about those things because he would fear the law and fear for his own life. But I don’t think there’s any doubt in anyone’s mind that the Church of Satan does practice human and animal sacrifice. In his “bible” LaVey lists alternative methods of providing the energy for a satanic ritual. One of those methods is through taking the energy released in an orgasm. Now we can see that this headbanging which takes place at these concerts produces an outflow of the life-force through the crown chakra which is similar to the release of the life-force through the base chakra in an orgasm. The head movement—it’s tantamount to self-abuse. It is our conclusion, therefore, that the astral result of this and the astral result of a heavy metal concert in terms of the light released is identical to that which is released in an orgy or a ritual sacrifice. You will notice also that the lead singer, whose name is Tom Araya, asks, “Have you learned the words to our songs?” Now, we heard on 20/20, and it’s been printed in lots of newspapers and many people believe it, that lyrics don’t mean anything. Well, the bands think that lyrics mean something. And the Satanists think that lyrics mean something. So the youth of America had better wake up to the fact that the lyrics do mean something and that when they go to these concerts and sing along and bang their heads to the syncopated beat, they are participating in satanic rituals. We already knew that these lyrics are being pounded into the subconscious of the teenagers through the rock beat but now we have a performer openly talking about it. That’s something that I’ve never seen before—not with lyrics that are this blatantly and openly satanic. ECP: Well, this song is a decree—”I AM the Antichrist.” He is revealing that they decree in Hell. Mark Prophet told me there are astral decree groups who decree against the Light and the Lightbearers. Tom Araya is teaching satanic decrees to those youths. And he wants them to know the words to the decree because, short of divine intervention, they will become antichrist in vibration when they say them. SCP: The members of Slayer are Kerry King, lead guitarist; Jeff Hanneman—who wears an upside-down crucifix; Tom Araya—the lead singer that you saw in the video; and Dave Lombardo, the drummer. I also have two short audioclips to play but first I want to read you some more of their lyrics. This one, also by Slayer, is called “Evil Has No Boundaries”: [twice as much strength after they got the light from their last foray] Evil Satan our master in evil mayhem So, I’ll play that now. [Song “Evil Has No Boundaries” by Slayer played] The next song is a denial of the cross. It’s called “Haunting the Chapel.” It reads: The ghosts of sin torment the priests Ghosts from hell invade this feeble shrine Attacking angels as they pray to God It pains me to read these lyrics. ECP: They’re all decrees. All of them are decrees out of Hell. SCP: Now, if there are any skeptics in the audience, and these lyrics and the satanic symbolism aren’t enough to convince you that these singers are by choice the embodiment of Evil, we have for you a clip of an interview with a group known as Venom where the drummer is actually admitting to writing satanic lyrics. His name is Abaddon, as written in Revelation. You may or may not know it but Abaddon is also one of the “infernal names” used for conjuration in the Satanic Bible. “The Devil writes the best tunes,” says Abaddon. “We write strong lyrics about a strong subject, things from the Satanic Bible and Aleister Crowley.” You know, Aleister Crowley is the occult leader who practiced black magic, calling himself “the Great Beast 666.” He was reviled by the British press as “the Wickedest Man in the World” and has figured in rock from the start. He is present on the cover of the 1967 Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band. We’ll play now the interview with Venom. You’ll also hear some profanity here. [Videoclip of interview with Venom rock group played] Interviewer: All right, we’re sitting here, as is very obvious, in the bowels of Studio 54, believe it or not. [Venom lead singer howls like a wolf] And this is the ultimate revenge for disco tonight. I am sitting with two members of Venom [animal noises made by Venom], who are mostly housebroken. They’re not bottle trained yet, though. Cronos: Food. I will say f . Abaddon: Yes, right. Cronos: F . Interviewer: For the home. Cronos: Feel free to say f . Interviewer: Collectively you have a stronger image or a stronger personality than you do individually. Abaddon: That’s something we’ve said all the time from the start was this band works as a solid unit. Cronos: Brick. Abaddon: Yeah, it’s like a brick. Say, you know, it’s just a solid unit which works. As parts it’s, you know—I’m not a good drummer. He’s not a particularly good singer. But put it all together and it works as a unit. Interviewer: So the sum is greater than the parts. Cronos: Since the day we began, the Venom concept was “We are a brick.” And what you do is you got this area of land over here and you take a brick and you throw it and it goes [blast of music]. And then you take the brick and throw it over there again and then you pick it up from there and you throw it and like that’s how Venom works. You land on a town. [several voices and blast] Abaddon: You land somewhere and you hit it. Cronos: And here’s Venom at full flame, then off to the next town. Abaddon: It’s an old story that the Devil has the best tunes. And that’s, that’s the way we see it. We write strong lyrics about all sort of happenings or sort of things that have gone in the past and interesting things—things that, you know, that you read in Satanic Bible, that you read it from LaVey, that you read from Crowley. [emphasis added] So basically, that’s it—we’re writin’ strong lyrics about a strong subject. Cronos: Get the likes of King Billy, as we call him. And— Abaddon: Yeah, King Walker. Cronos: And the guy like he’s got it all wrong. His heart’s in it. He’s really going for it. And he thinks he’s doing right and that, but the thing is you can’t turn around and say to the kids, “Right, we’re going to have, f ing rip virgins’ heads off.” I mean, what the hell is the point of that? Interviewer: You mean there’s no truth to the rumor you’re going to sacrifice Madonna on stage tonight? Cronos: Oh, we’ll f her on stage tonight. But why sacrifice her? She’s beautiful. Abaddon: Sacrificing over a bitch, what? Cronos: Oh, yes. Let her die and bring her back for an encore, you know. Interviewer: Uncle Jack says— Cronos: Really happening drink. Buy some. Drink it. No problem. Drink this, you’ll fall over. [Abaddon and Cronos lick a Jack Daniel’s bottle]
So there you see and hear him admitting to writing satanic lyrics. Now we will play the first song by them which is called “Witching Hour.” [Videoclip of “Witching Hour” by Venom played] How dare they do this on planet earth! How dare they bring their filth and their Hell into the physical plane! This sank Atlantis and it will sink this continent and cause earth changes if we don’t stop it now! You may have noticed that in addition to having the symbol of Baphomet on stage as their backdrop, the singer, when he wasn’t singing, was mouthing and screaming. Going back to Slayer, there’s another song which comes very close to being an actual satanic invocation from the Satanic Bible. They’re all satanic invocations but this one is particularly blatant. It’s similar to the “Invocation Employed towards the Conjuration of Lust,” which is in the Satanic Bible. It goes, And then they say, “Hail Satan!” and with it a Hebrew name of God, Shemhamforash, <17> which I will not do. The song by Slayer, “Captor of Sin,” is not a verbatim transcription of the invocation but the concept is the same. We must look not at the specific words but at the fohatic keys of the invocation. The wording need not be the same to tie in to the same energy. Both have a sexual purpose, the former being the invocation for conjuration of lust and the following being its enactment. So I am referring mainly to the first verse of “Captor of Sin,” which reads, So it goes. I’d like to play that short first verse. [Excerpt of “Captor of Sin” by Slayer played] The two members of the band Venom are not merely possessed, they are actual black magicians who are knowingly doing what they’re doing. They’re a part of the false hierarchy of Satan. So every one of these heavy metal musicians has a direct line to Satan. It’s the antithesis of the spiritual hierarchy of Jesus Christ, the heavenly hosts, the Ancient of Days and his saints on earth —it’s the false hierarchy. And so we can see that it’s the Devil—or any of his lieutenants—giving dictations. Abaddon, Cronos, and their ilk are his messengers. Now, a lot of people have defended these lyrics.
They say, it’s just rock and roll, it’s just marketing So, now I’ll move on to the next group, which is called Megadeth. You may think that’s a strange name for a group but I heard on National Public Radio that there are actually two groups who wanted to call themselves Megadeth and they sued each other to use the name. So I’m not sure who won, but there it is. Some of these rock album covers don’t really pertain to the content of the album but this one does. This is a song which is called “The Skull beneath the Skin.” And that picture on the front cover is exactly what it’s about. It’s about a satanic ritual of torturing a person by removing their scalp while they’re still alive and putting plates and staples on the skull so the person cannot see, hear, or scream. Other songs on the album are “Loved to Deth,” “Looking down the Cross” and “Mechanix.” “Loved to Deth” is about necrophilia. “Mechanix” is a bizarre sexual song. And “Looking down the Cross” is another satanic decree. So I’ll read the lyrics to “The Skull beneath the Skin”: See thing in agony So I’ll play that now. [Excerpt of “The Skull beneath the Skin” by Megadeth played] This song conjures up the feeling of being in Hell. As if I were somehow trapped in Hell and could not call to Archangel Michael, and this is what the Devil would play as he was revving up his demons to attack me. I mean, that’s what comes to mind when I hear that song. I think we need to look at what the teenagers do at these concerts. And I’ll give you a little more detailed description. This is Dave Benser, the heavy metal musician who gave us the first description of the different types of heavy metal. He also has talked about moshing, slamming, and diving, which are the three different dances that they do at the heavy metal concerts. So this is him with a picture of himself as a child. And it’s not hard to figure out what caused the change. This is the one who listened to KISS in first grade. This is him in action with his band. That’s acartoon that was printed with the article. And that is the band. Notice he’s holding a skull. It’s this obsession with death. I mean, why would anyone want to be so obsessed with death? There is no good explanation except that they are either possessed or influenced by these other satanic groups who started it in the first place. And we know heavy metal originated with the fallen ones in the bottomless pit. There were groups in the sixties, such as the Rolling Stones, and Van Halen in the seventies who referred to the Devil but it was never, never quite like this. I mean, it was much more polished, sophisticated and subtle. Here’s how an article from the Washington Post describes heavy metal dancing: To mosh: a verb meaning to fling every limb as far from the torso as possible while maintaining as little equilibrium as possible.
To slam: a verb meaning to ricochet bodily off anyone, everyone. A full-contact, interactive ritual essential to heaviness. Benser on slamming: “The first time you see someone slam, you look and say, ‘Oh, that’s stupid.’ But the first time you actually do it . . . I remember the first time I actually moshed. That was in 1985 at Nuclear Assault and Overkill. The crowd was going crazy and I got involved. It just kind of happened. It was kinda like a whirlpool and I got sucked in. I’ve been moshing ever since. It’s a way of life, I guess. I do it all the time. “It lets you get the aggression out. It makes you sweat a lot. It’s really a good time. It may not sound like it’s all that fun. Banging bodies. Football is not as aggressive. This is full contact. You’re constantly in motion and constantly touching another person. With football you’re not in on every play. “It’s an incredible rush. You’re always looking over your shoulder to make sure they don’t dive on your head. There’s a real feeling of brotherhood down there in the pit. [emphasis added] If someone falls, they pick you back up. Most of the time people catch you. Now and then you go somewhere and people are real amateurs. They don’t know what’s going on. They see someone flying through the air and they move.” To dive: a verb meaning to fly, preferably from a stage. Benser on diving: “We must be airborne.
Oh, the feeling of a dive. That’s one of the best feelings
in the world, ‘cause you have to trust people underneath
of you to catch you. If they don’t, you get little black
elbows like I have now.” <18> This full contact is, again, just so many ways they invent to release the life-force. Back in the 20/20 clip they showed a little bit of the chaotic dancing. It looked like leaping demons. You know, it’s like he said—you get sucked in. I don’t think anybody in their right mind would do it. But once they actually see their friends doing it, then they try it. And it feels good because the light is rushing out of their chakras and they continue. It’s sensual. This is a fourteen-year-old—Patrick Gilmore is his name—with a Slayer T-shirt with the inverted pentagram over his heart. You really have to wonder. I mean, is he a Lightbearer or a reembodied Atlantean? It’s hard to say. But if he’s a Lightbearer, he’s being victimized. This is Greg Rabinowitz. He’s nineteen, in college. He doesn’t look like he’s into heavy metal, does he? He is. He complains that when he goes to concerts that he’s ostracized because he doesn’t wear costumes like everyone else. When they pass out literature they don’t even give him any because they say, “Oh, you don’t need any of this.” This brings us to our next group—Dark Angel. That’s their logo. Notice the bat wings. There’s the complete album cover. Now, this is death metal again. This particular group is preoccupied with nuclear war. All their songs are about the end of the world, nuclear war. There’s a song on there about Nostradamus. It’s really too long for me to play but basically it’s a fatalistic acceptance of the prophecies of Nostradamus, with no attempt to change them. And it’s a reveling in the death and the destruction that is prophesied. The song that I’m going to play now is called “Darkness Descends,” which is the name of the album. The chorus of this song is an astral decree in the extreme, even though these songs are all astral decrees. The way he repeats the chorus and the way that he says it is a misuse of the science of the spoken Word. So I’ll read the words. And by the way, whoever is the lyricist is not just some teenager. He is very sophisticated. I mean, I had to look up some of these words in the dictionary. Fear Sacrosanct, the religious ones Now, this is the astral decree part here. This city is guilty This is repeated over and over again in the song: It goes on— Internal combustion, plutonic rage Listing the ways in which we will die Mortis Retaliation, a useless ploy The theme of this song is death, nuclear war, hopelessness—it is useless to retaliate, useless to defend ourselves, there’s nothing we can do. So I’ll play a little piece of “Darkness Descends” by Dark Angel now. [Excerpt of “Darkness Descends” played] I wanted you to notice how in the beginning of that song it started out slower and then it changed to this fast beat which is called “speed metal.” No one played like that any more than five years ago. I had never heard anything like that before I started doing my research. The speed of it has a pummeling effect. You hear this and you just feel like you’re being beat up. It’s constant. One thing I noticed is that the kick drum, the bass drum, is hitting every beat—and that’s also unusual —as well as numerous other drums. But that constant, constant beating on your chakras is really something that is a more serious offense to the Light and it causes the protective membrane, which I discussed earlier, to rupture sooner than it would with lighter rock. I think that rock and roll just gets more destructive by the year. And it takes less time for the Lightbearers to have their sheath torn and to let the astral through into the physical. Now as never before it’s happening in record time. There’s another song by Dark Angel called “Perish in Flames”—again about nuclear war, this time talking about it actually happening instead of talking about the fear of it. It reads: Your orders are given, the time for destruction is now They’ll give you no reason, you’ll be the first so be proud We’ll play that now. [Excerpt of “Perish in Flames” by Dark Angel played] You know, we have so many psychologists talking about nuclear fear in children. Well, we don’t need a psychologist to tell us where today’s teens get their fear of nuclear war! This fear of war breaks down the will. The point must be made: Totalitarianism is worse than nuclear war! I cited in my New Year’s Day lecture “Apathy in America” that there have been 190 million people killed by World Communism in this century. This is totalitarianism. And in World War II and all the wars in this century 60 million have died. <19> So which is worse? The apocalypse described in “Darkness Descends” fits a Soviet takeover much better than an all-out nuclear war. A surgical nuclear strike would be a part of Soviet takeover, as has been said. The slow death, burning and asphyxiation described might be from radiation or it could be death in a concentration camp. Solzhenitsyn mentioned live burial and drowning as Soviet mass-execution methods. “Darkness Descends” also fits chemical or bacteriological warfare. Teenagers are being given a message of nihilism—that nothing can prevent what is to come. In fact, t is this very attitude of paralyzing fear that will bring the events to pass. And it is the beat of the music itself that acts as a psychic carrier wave for Soviet psychotronic warfare. It is the message of hopelessness and death that the Soviet psychics have been directing at America for decades, and this death metal becomes the anchor point in the physical for their mind manipulation of the American people. It is highly doubtful that without rock music the Soviet psychics could have had any effect on Americans. The protective shield between the physical and the astral planes of the planet has been broken down by rock and roll in America. And the astral plane (which corresponds to the emotions and the subconscious mind) is the medium through which the Soviet psychics project the vibrations which cause depression, suicide and nihilism. But it’s not just heavy metal, it’s all types of rock that provide this anchor point for what we call the International Capitalist/Communist Conspiracy. Just in case you doubt this, let’s examine an album of mainstream rock from the mid-seventies. The album is Hotel California. Now, we all know that the Eagles were an innocent band from California. Homegrown American boys playing nice party music for a fun-loving people, right? Wrong. “Hotel California,” according to David Tame in his soon-to-be-published book Rock and Role, is the place where the Church of Satan was started. Not only that, but when you look on the inside of this album you see that in addition to the Eagles, the band members who are in the center there, the crowd is made up of witches, homosexuals and other people of a lower vibration who you wouldn’t want to be associated with. Not only that. If you look up in the middle window on the balcony there, you can see none other than Anton LaVey. Here’s another shot, which is a little out of focus. Because of the dot structure of the litho you can see it a little bit better out of focus. So we have the song “Hotel California,” which sold millions of copies, and to many it’s just an innocent song which doesn’t mean anything. But to me it means a lot. So I will read now the lyrics to “Hotel California”: There she stood in the doorway; Welcome to the Hotel California Her mind is Tiffany-twisted, she got the Mercedes
bends So I called up the Captain, Welcome to the Hotel California Mirrors on the ceiling, Last thing I remember, I was I can’t think of any physical event that
this song would be describing other than a blood sacrifice. (“They
stab it with their steely knives, but they just can’t kill
the beast.”) “We haven’t had that spirit You know, why was this person drawn into this
hotel as he was cruising along the road? It’s the allure
of Death and Hell. That’s the way I interpret it. “We
are all prisoners here, of our own device” is This rock and the Satanism in it has influenced our leaders and it’s in the mainstream. And it’s influencing people who never heard of heavy metal. These satanistic references are on the radio every day. In fact, I heard that Gary Hart met Donna Rice at a party at the residence of Don Henley, who is a member of the Eagles. So where can we find our next generation of leaders? Gary Hart could very well have been president. If he had been listening to this group and if he were still listening to this type of music, do you think he would be open to the divine solutions to the problems that face us? The next group I am going to talk about is Suicidal Tendencies. Their album is called Join the Army. And this is a very low caricature of Uncle Sam on the cover—”I Want You to Join the Army.” The lyrics of this song, which I am going to read but not play, is another dictation from the suicide entity, which even makes a subtle reference to the influence of the Soviet psychics. To some of you this connection to Soviet psychics may be weak, but to me it is abundantly clear. The song is called “Suicidal Maniac.” A feeling you can’t kill Just when you thought it safe he suddenly appears He’s back. The Suicidal Maniac Each day he grows more and more Blast away through the mind And now it’s come, the time the Maniac
I’ll meet I bow to his might He’s back An army at his command A feeling you can’t kill He gives the message and your mind is filled
with blue He’s back—and he’s a Suicidal
Maniac. I don’t know where to start with that. The whole thing is a description of the suicide entity taking over a soul. And we have the first line—”A birth that came from more than sound.” Now, we know that sound is the power of creation. In fact, we even know that the seed of the Wicked One used the rock beat to create their slave race. What is this “more than sound” that
is referred to? To me, it is vibration, energy, and I see it as
the There are undoubtedly multiple and complex causes for suicide in our national psyche but, in addition, consider the phrases “controls your thoughts but you can’t see” and “he gives the message and your mind is filled with blue.” To me, this is a reference to psychic mind manipulation. Consider that on the astral plane the suicide entities (demons and discarnates) are working to steal the Light of the Children of God and the Soviets are working on the astral with their psychics to break down American will. The two factions can be seen to have a common enemy—the Lightbearers. Both have everything to gain by spilling the Light (Christ consciousness) of America. We also know that all of Death and Hell are working through the Soviet Union to destroy freedom on this planet. So again, things equal to the same thing are equal to one another. And just to make sure that there will be no young patriotic Americans left, even the urge to defend our nation is exploited in this album. With the title “Join the Army,” the single is a low-down parody of a marine recruiting song. It implores the youth to march to the “suicidal beat” and to join the army of “suicidal rock.” Now, it’s an obvious and acknowledged fact even by the musicians themselves that rock music in our society today is the most powerful force for social change. Frank Zappa said that. It’s affected our entire way of life. Although astrologically, rock came in on December 31, 1959, as I said earlier, a few “pioneers” were already rocking in 1956. The sixties moved on to folk rock and early political rock. With rock America lost its first major war—Vietnam.
We had never lost a war before. Rock made us spineless as a nation.
We’ve never won a war since except Grenada, and that really
wasn’t a war. Rock has made it impossible for us to win anything. The most important force for winning battles is the will to fight. That is why combatants engage in propaganda campaigns and leafleting against their enemies. These tactics seem quaint when compared with the massive aural and psychic assault being waged on the Lightbearers of America through today’s rock music. It has completely demoralized our youth and removed their will to fight. And there’s a reason for that. The syncopated 4/4 beat is a perversion of the 4/4 martial time of the base-of-the-spine chakra. Whereas the march time is the measured rhythm of the rising Kundalini fire, the syncopated 4/4 causes the exact opposite. It lowers the Kundalini. It actually drives it down —thus draining the upper chakras and the spine of the vital life-force of the Divine Mother. The accumulation of the energy in the base chakra—which is naturally distributed throughout the body through the chakras, through the central nervous system—causes a buildup which may be released through violence, anger, sexual promiscuity and the black arts. The end result being that the will to be, to create, and to defend one’s right to so be and to so create exists no more. Thus the defense of freedom and of life are missing from today’s vacant youth. So we come again to this concept of transference. This song, “Join the Army,” advocates joining the suicidal army. Instead of being in the army fighting for life, our teenagers are encouraged to join the juggernaut of rock, marching toward self-destruction. Here are the lyrics: Dressed down, Homeboyz, minority—Join the Army We’re the few, we’re the proud, we
like to jam it loud Hardcore, Metal, the New Wave Don’t be no fool, don’t let your
prejudice rule Well if you still don’t believe, you best
get up and leave I’ll fight it with the band, right down
till the end New York, London, Venice So we’ll play part of that now. [Excerpt of “Join the Army” by Suicidal Tendencies played] The back cover of the album is the high altar of suicide. Here you see the character that was depicted on the front of the album as a Rambo-type figure with a machine gun. He’s now dead—impaled and dismembered on the suicidal altar. Another part of the album is mostly just contorted faces in despair in a collage. So that’s Suicidal Tendencies. Now we’ll move on to Dirty Rotten Imbeciles. Better known as D.R.I., they’re quite popular. Makes you wonder. This is more death metal. It’s aimed at the destruction of society. And it casts the Americans as the imbeciles. It’s very insulting. It also deals a lot with nuclear war. The first song that I am going to talk about is called “Tear It Down.” Listen to these words: Just as we watch them We are the future so We can tear it down So we’ll play that now. [Excerpt of “Tear It Down” by Dirty Rotten Imbeciles played] Before Mother even heard that song she commented to me that all heavy metal and rock in general has the message of “tear it down.” And this song is just the crystallization of what was already there. Listening to Suicidal Tendencies from the next room while I was doing this research, she said, “It’s as if there were a subliminal in this, and what it would be saying all the time, inaudibly, is ‘tear down, tear down, tear down, tear down.’ That’s how it vibrates to me.” And this was the other music, not “Tear It Down” that you just heard. So in the next song we have an actual simulated nuclear attack. It’s called “Oblivion.” It begins with an air raid siren and the sound of a crowd screaming in terror. You hear the sound of a nuclear bomb being dropped from a plane and instead of the explosion, the music begins with a violent crash of drums and electric guitar. I’ll read you the lyrics: People run rabid [Excerpt of “Oblivion” by Dirty Rotten Imbeciles played] This is how our twelve-year-olds relate to nuclear war. That’s it. That’s all there is. They never heard of Thomas Krebs or Danny Graham or High Frontier or any of the speakers whom we’ve heard Mother interview at Summit University Forum who’ve told us the real story. This is why we have no will to prepare to fight nuclear war, if necessary, and to remain free. This is it. I mean, you don’t need to look any further than these lyrics and this sound because what you grow up on you internalize and it becomes a part of you. And if the youth internalize this song, they’ve lived it, and they are already dead (so to speak) because they ‘died’ in the attack. They’re psychologically dead from that time on—from the time they’ve heard this song. It’s the explosion of the base chakra. It’s the ultimate hatred of the Divine Mother. It’s just like putting a nuclear bomb on the base chakra of the Mother to blow up her womb so she cannot bear the Divine Manchild—and in this case the Mother is America, the Motherland. This is from Revelation 12. And his tail drew the third part of the stars of heaven, and did cast them to the earth: and the dragon stood before the woman which was ready to be delivered, for to devour her child as soon as it was born.... And when the dragon saw that he was cast unto the earth, he persecuted the woman which brought forth the man child.... And the serpent cast out of his mouth water as a flood after the woman, that he might cause her to be carried away of the flood.... And the dragon was wroth with the woman, and
went to make war with the remnant of her seed, which keep the
commandments of God, and have the testimony of Jesus Christ. The rock music you’ve been hearing is the ‘water’ (i.e., astral sewer) that the dragon cast out of his mouth “as a flood.” Rock music is the open warfare declared by the seed of Darkness against the remnant of the seed of the Woman. This was prophesied. People should have seen it coming when Elvis Presley arrived on the scene. The furor that was raised over Presley in the 1960s has today become the worship of a fallen angel. Today’s parents think today’s music is “harmless” and they allow their children to continue to listen to it, to continue to destroy themselves and in the process they are building a future generation which has no will to defend our nation against a nuclear attack. It is all-out war against the Lightbearers. If we want to know where nuclear fear is coming from, we should look at the rock bands, not at our government, and certainly not at our military. Some psychologists have even said that we shouldn’t teach children about nuclear war because it will incite fear in them. But we let them listen to the music. So I think, as parents, we should teach children early the facts about what’s really going on. And if they are going to get caught up in this death metal, which sometimes parents are helpless to prevent, at least they will have the early teaching from their fathers and mothers that they can refer back to when and if they regain their senses. ECP: The comment that El Morya made about “Oblivion” is that it is an attack on the heart and on the threefold flame. It is the bombardment of the physical heart and the disruption of the heartbeat, which disrupts the ability of the soul to attune with the threefold flame in the secret chamber of the heart. One of the things that Saint Germain and El Morya taught me in December concerning death is that the projection of death has no power over you unless it can get you to accept death. So they begin with the projection that you are going to die, which is what all this death metal is—”You are going to die by nuclear war.” It pounds into you by this irregular beat—the syncopated beat that is the perversion of the 4/4 time of the base chakra, as you said. So, once you have accepted that you are going to die, then you are wide open through the heart chakra for your death by the disruption of the heartbeat. And Jesus said that in these days men’s hearts would fail them for fear. <20> And it’s through the rock beat that the heart is destroyed and death enters. Death cannot enter your life if you do not give in to it and accept it. And the projection of the Death entity who comes in many guises works very, very hard on people, even apart from rock music, to get them to accept death. To me this is a planetary plot. A large percentage of this nation is accepting nuclear death because this music—the fastest growing segment of the rock industry—is entering the psyche at the subconscious level. You are absorbing the message subconsciously even when you’re not aware of it. And so you are not consciously counteracting it. SCP: In fact, even as we sit here we’re probably absorbing radio waves that are being transmitted which we have no control over. And I don’t know how they affect the body physically. But I know that on a spiritual and astral level the constant playing twenty-four hours a day of this music, especially in the big cities but even out here in Montana, has a lot to do with our loss of will even though we are unwilling participants. Because even if we decide to tune it out, it still passes through us. So the good news is I don’t have any more heavy metal songs to play! But I do have some more slides and a video promo that has heavy metal imagery and I am also going to tell you about the record companies. So we continue. This is the back cover of the Dirty Rotten Imbeciles’
album. It looks to me like it has a black widow spider in the
middle of it. This shows what they think of America. It says,
“Imbeciles of America,” and Now we come to the record companies. You wonder
who’s behind all this. Well, here we go. So I’d like to play you a video promo now for some of these albums. This is the Combat Rock promo. [“Combat Visual Catalogue” video played] Major Mayhem (Paul Aaronson): OK. Listen up, you brain-dead mongers. You want to be metal heads, you gotta listen to the right metal, right? OK, here’s your basic training. Now, pay attention ‘cause my name is Major Mayhem. And it’s my job to turn you goons into proper combat metal troops, no matter how sniveling and weak you are. OK, now that we got that straight, grab these combat discs and stick ‘em between your ears. You got Venom, Possessed, Exodus, Bonded by Blood, and Slayer, Hell Awaits. This is the death metal squadron. Ride with these guys and the Devil is your co-pilot. All right, so you mastered death, now you’re ready to try special forces—the combat T-squad to you goons. Talas, Live Speed and Sink Your Teeth, Tokyo Blade, Midnight Rendezvous and Night of the Blade, and TKO, In Your Face. These boys specialize in administering violence with taste. Now, these next guys you don’t want to mess with—the combat rangers. Megadeth, Killing Is My Business, Abattoir, Vicious Attack, and Sabotage, Dungeons. If there’s a dirty job to be done, you send in the rangers and pray to God you live. The combat army marches with a strong infantry. Get your combat boots stompin’ with OZ, Fire in the Brain and III Warning, the Rods, Let Them Eat Metal and The Rods Live, and Merciful Faith, Don’t Break the Oath, Trouble, the Skull, and Action, Look Out for the Night. Any of these divisions can pulverize your pea-sized brain. And finally there’s the combat ultra assassin squad. Oh, my God! So hideous, even I don’t get too near them. Impaler, Rise of the Mutants. OK, pinheads, that’s your basic training [yelling and screaming in the background] in combat metal. You can thank your lucky stars we’ve trained your ears in the finest metal wealth in the whole of the U.S. of A. Combat Records. Your next phase of training will include Exciter, Possessed, Thrasher, Running Wild, Nasty Savage, and the dangerous agent Steele. Hallow’s Eve. Remember, bang your head till you’re dead. Dismissed!
You will notice that all these fans are young
and that they’re all doing the Satanist mudra. That clip
Now, I’d like to go on to political heavy metal, which I won’t play but I just want to talk a little bit about it. There’s a band called Corrosion of Conformity. This is their album—Technocracy. This album did not include the lyrics. And I tried to listen to the music and get some of the lyrics but it was impossible. I couldn’t hear one word in any of the songs. But I did get out of the inside an insert, an order form for T-shirts. And I’ll read you what the T-shirts say. Now, this one says, “American dollars and weapons gleam, support another corrupt regime. Human rights long out of style, another killing, another farce trial. Intervention, all the millions spent in aid, spent on war parade. Technological march of death, finalize a child’s last breath. Intervention, warmongers in search of victims, make their mark in history, as the children die of asphyxiation. Another child killed for political position. Intervention, we ain’t gonna study war no more. Stop funding war in Central America. No more murder in our name.” This is T-shirt #2. It has, again, the symbol for Death Records. I believe that the logo represents a symbol for radiation. And the text says, “They rip the flesh from our mother’s breast / Because the War Machine runs on high test. / Greedy fools don’t have the sense / To leave the radiation where it rests.” This is supposed to be profound. It’s more anti-American rhetoric. And these are “nice boys” from North Carolina. That is the end of our heavy metal section. Thank you.
* The vibration of the Fifth Ray ranges from an emerald green to a Chinese green tinged in gold. It is the path of scientists, healers, exponents of truth, music, and mathematics in all fields. The bottomless pit is a deep canyon in the lowest level of the astral plane, called hell, where fallen angels are incarcerated. 1. Nephilim. Hebrew “those who fell” or “those who were cast down,” from the Semitic root naphal “to fall,” rendered in the Greek Septuagint, a late translation of the Hebrew scriptures, as “giants” (Gen. 6:4; Num. 13:33). 2. See “Prologue on the Sons of Jared” (taken from the Second Book of Adam and Eve), in Forbidden Mysteries of Enoch: The Untold Story of Men and Angels, pp. 354-59. 3. augmented by the full complement of Martian misqualification of energy: aggression, anger, arrogance, argumentation, aggravation, annihilation, aggressive mental suggestion, anti-Americanism, anti-Father, anti-Mother, anti-Christ, and anti-Holy Spirit energies. 4. See Mark L. Prophet and Elizabeth Clare Prophet, The Lost Teachings of Jesus II, p. 13. 5. See Mark L. Prophet and Elizabeth Clare Prophet, The Lost Teachings of Jesus I, pp. 3-19. 6. Matt. 11:12. 7. John 1:1, 3. 8. The work done on the string may be computed with the formula Work = Force x Distance. Assuming a force of 1 ounce on the guitar string and a string displacement of .25 inches we obtain
9. Rev. 8:13; 9; 11:13, 14. 10. John 8:23. 11. Edgar Evans Cayce, Edgar Cayce on Atlantis, ed. Hugh Lynn Cayce (New York: Warner Books, 1968), pp. 74-77. 12. Hydra. The Lernaean Hydra was a many-headed monster in Greek mythology slain by Hercules (his second labor). According to one version of the myth the Hydra had 8 or 9 heads, one of them immortal. Some even credit the monster with 50, 100 or even 10,000 heads. The Hydra terrorized Lerna, a holy district on the coast of Greece 5 miles from the city of Argos, until Hercules was sent to kill it. Each time Hercules cut off a head, however, 2 or 3 grew in its place until Hercules’ charioteer Iolaus cauterized their roots with firebrands. Then Hercules severed the immortal head using a sword, or a golden falchion, and buried it, still hissing. According to Virgil’s Aeneid, the Hydra was also a source of underground rivers which used to burst out and flood the land. If one of its numerous channels was blocked, the water broke through elsewhere. Hercules first used fire to dry the ground and then closed the channels. 13. Jane Leavy, “The Decibel Disciples: Young-at-Heart Headbangers and Their Heavy Metal Way of Life,” Washington Post, 4 June 1987, sec. C. 14. David Gelman et al., “Depression,” Newsweek, 4 May 1987, pp. 48-52, 54, 57. 15. Walt Harrington, “The Devil in Anton LaVey,” Washington Post Magazine, 23 February 1986. 16. Extremely Low Frequency. Radio waves in the 10-hertz range which are known to affect human health and behavior. 17. Shem hameforash. Hebrew for “the complete name of God,” known as the Explicit Name, or the Ineffable Name. 18. Leavy, “The Decibel Disciples.” 19. See p. 45, par. 7; p. 48, par. 1; p. 71, n. 8. 20. Luke 21:25, 26.
DISCOGRAPHY Combat Tour Live: The Ultimate Revenge. Slayer, “I Am the Antichrist”; “Venom Interview Part 1”; Venom, “Witching Hour”; and “Combat Visual Catalogue.” Combat Records MXV 8038, 1985. Videocassette. Dark Angel. “Darkness Descends” and “Perish in Flames.” Darkness Descends. Combat Records 88561-8114-2, 1986. Dirty Rotten Imbeciles. “Tear It Down” and “Oblivion.” Crossover. Restless/Death Records 72201-1, 1987. Eagles. “Hotel California.” Hotel California. Asylum Records 6E- 103, 1976. Megadeth. “The Skull beneath the Skin.” Killing Is My Business—-. Combat Records MX 8015, 1985. Metallica. “Fight Fire with Fire,” “Ride the Lightning” and “Fade to Black.” Ride the Lightning. Elektra Records 60396-2, 1984. Slayer. “The Antichrist,” “Evil Has No Boundaries,” “Haunting the Chapel” and “Captor of Sin.” Show No Mercy. Restless/Metal Blade Records 71034-2, 1987. Suicidal Tendencies. “Suicidal Maniac” and “Join the Army.” Join the Army. Caroline Records CD 1336, 1987. “The Children of Heavy Metal.” Corr. Stone Phillips. Prod. Danny Schechter. 20/20. ABC, 21 May 1987. |
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"Rock 'n Roll is an asylum for emotional idiots."—Richard Neville
The Satanic Roots of Rock
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